South Front 42 - SOUTH FRONT - The Soviet Winter Offensive of 1942: Operation Uranus. Sicily 43 - OPERATION HUSKY - The Allied landing in Sicily. Patton 45 - PATTON'S NIGHTMARE - Soviet offensive against the US Third Army from Czechoslovakia, to seize portions of southern Germany. Normandy 44 - OPERATION OVERLORD - The Allied invasion of Normandy to establish the second front. Luzon 41-42 - FALL OF BATAAN - Japanese Invasion of the Philippines. Korsun 44 - DISASTER ON THE SOUTHERN WING - German counteroffensive to relieve the Korsun Pocket. Korea 50-51 - POLICE ACTION - The Communist invasion of South Korea. Kharkov 42 - PRELUDE TO STALINGRAD - The Soviet 1942 spring offensive from the Izyum Bulge. THE OPERATIONAL ART OF WAR IV ABANDONWARE TRIALKasserine 43 - TRIAL BY FIRE - Axis thrust by the 5th Panzer Army and Panzerarmee Afrika against the US II Corps in Tunisia. Italy 43 - UP THE BLOODY BOOT - The Allied attempt to Liberate Rome. Israel 48 - ISRAEL'S COUNTEROFFENSIVE - The IDF's attempt to consolidate the Jewish settlements. Wargame series that was released in several editions over the lastĮighteen years, with the following release dates:ġ939-1955 (1998) Shipped with 17 scenarios, broken down as:Īrracourt 44 - SHOWDOWN AT ARRACOURT - CCA/4th Armored Division's defense against the LVIII Panzer Corps.Ĭrete 41 - OPERATION MERCURY - Germany's largest airborne operation to capture the strategically important Mediterranean island of Crete.Ĭrusader 41 - OPERATION CRUSADER - The British 8th Army's winter offensive against the Afrika Korps.įrance 40 - BLITZKRIEG IN THE WEST - German blitzkrieg offensive against France, Belgium and Holland.įulda 55 - RED STORM AT FULDA - Hypothetical attack by the newly formed Warsaw Pact against NATO forces to seize Frankfurt. The Operational Art of War (TOAW) is an open-ended operational The Operational Art of War (Updated 3 December
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If the print is in color, separate blocks can be used for each color, or a technique called reduction printing can be used. The block is then rubbed with a baren or spoon, or is run through a printing press. Then a sheet of paper, perhaps slightly damp, is placed over the block. In the Western tradition, the surface of the block is then inked with the use of a brayer however in the Japanese tradition, woodblocks were inked with a brush. Traditionally, the artist then handed the work to a technician, who then uses sharp carving tools to carve away the parts of the block that will not receive ink. The artist either draws a design directly on a plank of wood, or transfers an drawing done on paper to a plank of wood. Woodcuts of Stanislaw Raczynski (1903–1982) For example, Rembrandt's prints are usually referred to as "etchings" for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Many of these techniques can also be combined, especially within the same family. Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Stencil, where ink or paint is pressed through a prepared screen, including screen printing, risograph, and pochoir.Ī type of printmaking outside of this group is viscosity printing.Planographic techniques include lithography, monotyping, and digital techniques. Planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image.Intaglio techniques include collagraphy, engraving, etching, mezzotint, aquatint. Intaglio, where ink is forced into grooves or cavities in the surface of the matrix.Relief techniques include woodcut or woodblock, wood engraving, linocut and metalcut. Relief, where ink is applied to the original surface of the matrix, while carved or displaced grooves are absent of ink.Printmaking techniques are generally divided into the following basic categories: Printmaking: Woodcuts and Engravings, Smarthistory Prints may also be printed in book form, such as illustrated books or artist's books. Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition the matrix is then destroyed so that no more prints can be produced. Multiple impressions printed from the same matrix form an edition. Other types of matrix substrates and related processes are discussed below. Screens made of silk or synthetic fabrics are used for the screen printing process. Common types of matrices include: metal etching plates, usually copper or zinc, or polymer plates and other thicker plastic sheets for engraving or etching stone, aluminum, or polymer for lithography blocks of wood for woodcuts and wood engravings and linoleum for linocuts. Prints are created by transferring ink from a matrix to a sheet of paper or other material, by a variety of techniques. A print that copies another work of art, especially a painting, is known as a "reproductive print". Historically, many printed images were created as a preparatory study, such as a drawing. Master printmakers are technicians who are capable of printing identical "impressions" by hand. However, impressions can vary considerably, whether intentionally or not. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer) however, there is some cross-over between traditional and digital printmaking, including risograph. Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. Francisco Goya, There is No One To Help Them, Disasters of War series, aquatint c.1810 That illusion instantly dissolves the moment you do anything other than simple highway cruising or low-speed traffic crawling. 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The difference would be its push away from on-pavement performance towards a far more profitable slice of the pickup segment.Īs with all modern pickups, everything about the Ram 1500 TRX is larger than life - and that’s before you take a peek at what’s hiding between the front fenders. Determined to sell the sizzle, there was no question that the Ram would eventually take a seat at the supercharged table alongside its corporate siblings. Of course, when discussing asphalt-shattering torque, terms like “need” seldom enter into the conversation. While the supercharged V8’s burnout-inducing antics kept ancient autos like the Dodge Challenger coupe and the Dodge Charger sedan relevant, Ram’s soaring popularity with full-size truck buyers obviated the need for any pyrotechnic injection under the hood. 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How to Save a Dracaena That Has Been Overwatered or Has Root Rot This energy can make all the difference in the world to a sick plant. In that case, they can be used for photosynthesis, using sunlight to convert water and air into energizing sugars. However, suppose the leaves of the Dracaena have pigment. Using a sharp knife, remove the brown leaf from the stem.įor the most part, I don’t bother with primarily green foliage. It is safe to remove a severely damaged leaf that is more brown than green. If you’re going to use liquid fertilizer, it’s best to do so in the middle of summer when the soil is most fertile.īrown leaves on a Dracaena will never turn green again, which is something to consider. These plants require soil that drains well, preferably a coarse blend that is well-suited to desert plants. Allow the soil to completely dry out between waterings to keep them healthy. Some varieties of Dracaena require bright, indirect light to thrive. Then, keep in mind what it requires and what it might be missing from its current care plan. To begin with, you need to figure out what’s causing your Dracaena to show signs of stress. What To Do If Your Dracaena Plant Is Dying? It’s possible that new soil and lighting will help it recover. Recovery is much less likely, but if your Dracaena is large enough, there may still be living in it. You may have overwatered your plants or have fungal infections. If the stalk is soggy and damp, the picture becomes bleaker. However, it may only require some watering and some time in bright light for the stem to recover if it is dry but still firm when touched. These are actual survivors who can bounce back from adversity at a rate that is hard to believe. Most of the time, fungal pathogens invading otherwise healthy plants are brought on by excessive watering.Įven if you’ve lost all of your plant’s leaves and it’s now just a stalk, don’t give up hope. 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But no matter how confident I feel about my skills as an urban walker, the design of most streets tells me that I’m out of place. #UNWALKABLE BLUETOOTH#There I go, little urban me, sporting sunglasses and Bluetooth earphones, carrying all my bags and jaywalking like a pro. When I walk around Waco, I feel overexposed, vulnerable, and a little silly. Walking your city sucks because everything is too far apart and it would be a waste of time. This is common in most North American cities thanks to a combination of federal housing policy, single-use zoning, the influence of the automobile lobby, and an overreaction to industrialism. Consequently, the places I frequent the most are too far apart from where I live and too far apart from each other. Homes and common businesses (cafés, laundromats, post offices, libraries, etc.) do not exist close together. The reality is, as much as I adore walking, it makes zero sense for me to “walk my life.” Like most American cities built after the 1900s, Waco has been designed in a sprawled-out fashion, with buildings separated by type. Yet while many of us would agree that walkability makes sense for countless reasons, few of us actually walk the cities where we live. I walk here too and try to encourage my friends to do the same. I’m now living temporarily in a small Texas city. Other walks ended with new discoveries and a full heart. Some walks left me heavy-hearted and disappointed. Others were so delightfully designed at human scale that I could have wept. Some were dangerous, forcing me onto unsafe infrastructure or pitting me against aggressive drivers. Without the comfort, protection, and ease of the automobile, I’ve experienced these places more authentically. With every walk, I’ve discovered new layers, textures, and details to the city. 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Accounts receivable and the vendor/customer input needs some serious updating. #Accountedge pro 2017 plusThere are some bigger issues that I am not a fan of with AccountEdge and in my 26 plus years of doing accounting I can say there are some poorer products but there are a lot of much better ones as well. |
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